By Darell Wayne Fields
Based on research of historic, philosophical, and semiotic texts, Architecture in Black offers a scientific exam of the theoretical courting among structure and blackness. Now up to date, this unique examine attracts on a much wider diversity of case reviews, highlighting the racial options which may legitimize sleek historicity, philosophy and architectural theory.
Arguing that structure, as a cultured perform, and blackness, as a linguistic perform, function in the related semiotic paradigm, Darell Fields employs a strategy wherein works are similar in the course of the repetition and revision in their semiotic constructions. Fields reconstructs the family tree of a black racial topic, represented by means of the simultaneous analyzing of a number of canonical texts from Hegel to Saussure to Henry Louis Gates, Jr.
Combining an old survey of racial discourse with new readings because of complex semiotic suggestions doubling as spatial preparations, Architecture in Black is a crucial contribution to reviews of the racial in Western concept and its effect on structure, house and time.
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Extra info for Architecture in Black: Theory, Space and Appearance
Hegel specifically defines Herodotus as the “father” or “originator” of history, thereby placing him in the original position. While calling Herodotus the “greatest historian” and admiring his “masterpieces,” Hegel, seemingly contradicting himself, also cautions that such works are not the exclusive prerogative of antiquity. . For those classes which are more or less excluded from political activity console themselves with moral principles which they use to compensate for their position and to set themselves up as superior to the higher classes.
This is the first mature attempt to engage in a sophisticated theoretical discourse about architecture and race using the tools of cultural studies and Afro-American literary theory. In this way, Fields has opened new critical and constructive possibilities for our intellectual discussions of modernity, architecture, and race. L. Fields, 2014. There is the peculiar case of history—a loop passing as a science of time that, unless known, is certain to repeat. The saying is overlaid with a certain “doom” to motivate, to move knowledge along.
They are born from the necessity to invent and sustain an ideal cultural form in Hegel’s present, that of ancient Greece. . [that] is concrete and absolutely present” (Hegel (history), 1975: 24). The description of this category is extremely brief. . I can omit all of this entirely, or merely touch on it in passing” (Hegel (history), 1975: 27). For the purpose of showing how Hegel’s categorical descriptions apply to his idealization of the (or his) present, I too will omit a strict critical reading of the main body of The Philosophy of History and move directly to the appendix of his text.
Architecture in Black: Theory, Space and Appearance by Darell Wayne Fields