By R. Richard, Sunset Thomas
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Extra resources for Anatomy of an Adult Film
On the way to Pasadena we stopped for dinner. While we were having a drink there the unit manager came in and handed me the script with the new ending. I said, “Bette, this will probably interest you,” and passed it over. She read it and you never heard such a volley of oaths in your life. The ceiling went off from her screaming and yelling. People started to get up, but I finally talked her into it after a couple of shots of laughing water. qxd 12/16/05 10:18 AM Page 30 30 r a o u l wa l s h How do you work with your cinematographers?
He had a long run at Warner Bros. in the late 1930s and the 1940s, making well-crafted studio pictures such as The Roaring Twenties, High Sierra, White Heat and They Died with Their Boots On. ” Walsh’s reputation today rests largely on his being the director of hardedged crime thrillers, but when given the opportunity, he spread his wings. His last film at Mutual, where he had gone to work with Griffith in 1913, was an adaptation of Ibsen’s Pillars of Society. qxd 2/17/06 3:20 PM Page 19 r a o u l wa l s h 19 men with Theda Bara and what is probably the first full-length gangster feature, Regeneration.
He had done so much toward making Dietrich’s career successful that Selznick thought maybe he could do something with Jennifer Jones, some sort of light on her hair or something that would make her more interesting. He wanted to utilize any particular talents von Sternberg had. I think it was also because Selznick wanted to do something for him, an act of friendship, and von Sternberg made many of the photographic and costume tests. ” He was just glad to be on the film. In the battle scene Joe’s job was to have a bucket of water and throw it over Jennifer to make her look sweaty.
Anatomy of an Adult Film by R. Richard, Sunset Thomas